Championing quality arts writing outside the mainstream press
As print media cut their arts coverage or fold completely due to rising internet use, the world turns more and more to a vibrant community of online arts critics. These critics host their own websites, blogs, vlogs or podcasts where they evaluate performances with a specialist eye. These are often productions that rarely get coverage in mainstream media, but are as deserving as any other of critical attention.
These critics may differ in style, output and interest, but one thing that unites them is their passion for their work as advocates for quality live performance.
These critics often work for free, and have no umbrella organisation to support them. Until now.
The Network of Independent Critics launches this year at Edinburgh Festival Fringe with three primary aims:
– to provide established, independent performing arts critics with support and networking opportunities
– to provide free housing at Edinburgh Festival Fringe to enable unsalaried critics to focus intensely on their specialism for a week.
– to provide coverage for festival productions normally neglected by the mainstream press.
NIC has been formed by Laura Kressly, a fringe theatre advocate with a Shakespeare specialism, and Katharine Kavanagh, who founded the only UK publication dedicated to circus critique. Three mentorship places are reserved for participants wishing to develop skills as circus critics, in partnership with The Circus Diaries.
This summer, 24 successful applicants will each have a 6-night stay in one of two 4-bedroom NIC flats in central Edinburgh. These flats were booked at a discounted rate, but still come at a high cost due to the unique economy that arises in Edinburgh each August.
Our fundraising target of £6500 covers the cost of renting these flats for the full festival season and all associated fees. It does not cover food, travel or event tickets. If we don’t reach our goal, what we have raised will be split between all participants (including the founders) who will have to pay the balance.
By supporting the Network of Independent Critics, you will provide the means for under-represented work to receive coverage from specialist critics and fuel the critical and creative economy.
All participants have agreed to pay the balance of any remaining costs if we do not reach our target, but there is always a risk that unforeseen circumstances could crop up and make this problematic. In the event that sudden expenses, work or family issues arise and a participant is no longer be able to take their place, we will rent their room(s) at cost to someone still in need of accommodation during the festival, so there will be no adverse impact on other participants or the programme.
If you are not able to contribute financially, we would love it if you would spread the word about this campaign and/or the Network of Independent Critics.